This Glass Design


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Poetry is dead in a world with no head,

A world with one body that plucks at its bread,

A hunger or thirst, no intellect to quench,

Terrorizing the world while we sit from the bench,

Is there a light at the end of the tunnel,

Or are we foolishly tracing the fence,

All along a prairie of ignorance,

With all the more to keep our thoughts dense.

Hence, they have arrived,

At last to convey,

What message do you have to deliver today?

I peer out my window only to find,

A mob of white horses holding up signs,

In a world of apocalyptic political conjecture,

The distinction between propaganda and lectures,

Becomes that much harder to unwind,

But really who is at at fault for this crime,

This hidden agenda of fascist swine,

As though unhidden, the past its prime,

A catalyst to destruction, at last, divine,

And so we are left, where Nietzche wept,

Only looking half as fine, as we remain desperately,

Knocking on wood for good fortune in this glass design.

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The Terrorist [Artwork]


The Terrorist

Art by Nermine Hammam

Executively Produced by KRIKOS aka Danny Krikorian

Presented by Colours of the Culture

Listen to “The Terrorist” and the full album “Sufi in the West” below:

Who is responsible for Istanbul attack?


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On June 28th, a group of suicide bombers conducted an attack on Turkey’s Istanbul Ataturk Airport, killing 41 people and injuring 239. As the world mourns the tragedy, investigators seek to bring justice to the perpetrators. But who is responsible? And Why?

Is it Daesh (ISIS)?

Is it PKK?

These are both valid suggestions, based on the history of violence among both groups.

Based on the PKK’s terrorism tactic, the attack in Istanbul does not necessarily fit their profile. According to news sources, though unconfirmed, the PKK usually target Turkish nationals. The conflict between the PKK and the Turkish government surrounds the Kurdish question of identity and statehood in the Middle East. The Kurds have been without an autonomous country and do not enjoy equal rights in Turkey. Iraqi Kurdistan is the only region where Kurds enjoy a degree of nationalism but it is far from being a nation-state.

Why would Daesh or ISIS commit the attacks?

Turkey has been supporting the armed insurgency against Syrian president Bashar al-Assad since its inception. The majority of Daesh or ISIS fighters are not Syrian but foreign nationals, from Turkey, the Arabian peninsula, North Africa and Central Asia, which raises the question as to whether this a so-called civil war between state and opposition or an international conflict between states. Is Syria a proxy conflict waged between global powers? Is this the continuation of the so-called “Great Game”?

If Turkey has stood against the Syrian government, thereby granting ISIS leverage directly or indirectly, then why would such an attack take place?

Since the emergence of ISIS, and the corresponding terrorist attacks globally which have victimized France, America and Turkey to name just a few, the political dynamic of the Syrian conflict has shifted. The ouster of Assad, like that of Mubarak, Morsi, Ben Ali, Abdullah Saleh, Saddam Hussein and Gaddafi, was originally argued as the procurement of stability and justice in the Middle East. The outcomes have proven otherwise. The tyrannical leadership of these autocrats is undoubtable, but is there another force enabling this instability to begin with?

As a result of ISIS’ apparent indiscriminate violence, fundamentalism and fickleness, Turkey has, like the US, altered its position internationally. Just last week, Turkey announced reconciliation efforts with its historical arch-rivals, Israel and Russia. Russia has arguably maintained the Syrian government since its intervention.

Could this rapprochement have provoked backlash from ISIS against Turkey? Were these two gestures of international rapprochements with ISIS’ nemeses, Israel & Russia viewed as a form of betrayal by the terror group?

As investigations continue, emerging facts will likely give this blurry picture some lucidity.

But a shifting world order is evidentially not as far off as one might have expected, particularly after England’s vote to leave the EU.

As the migrant crisis continues, and Middle Eastern instability intensifies, one might ask why foreign powers have prioritized their ambitions over practical politics.

One cannot speak of justice in the Middle East while neglecting the bedrock of human security – sovereignty.

Until this is realized, fanaticism and instability will continue to overshadow justice in the Middle East.

 

 

For Whom The Bell Tolls


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What dawns on us but truth,
If not to convince the youth,
Like water from a fountain,
Whatever happens no excuse,
This is conversations with glory,
Face to face with time,
They hold banners of revolution
If the clock ticks past nine,
But after twelve its all hell,
though walls still stand like eyes through veil,
looking for salvation through a peephole in a cell,
like a priest and a king,
having dinner over bells.

[New Music] “Sufi in the West” the complete album!


KRIKOS aka Danny Krikorian offers his latest album #SufiintheWest brought to you by @ColoursoftheCulture. Visit DannyKrikorian.com for updates!

Credits:

KRIKOS executive producer
Nirmine Hammam cover art
Colours of the Culture curator

the happenings of last week – new album coming from the overworld


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