Analyzing Political Undertones in Pop Culture Through Art


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There is generally speaking a list of artistic works that, despite their aesthetic greatness, are either historically misrepresentative & inaccurate or merely biased in context and coverage.

Some do justice, some don’t. Perception all depends on which angle you look at the subject. I wish for justice for all, but we must recognize, expose & bring to justice those distinct forces which cause & instigate violent political crime.

Munich, Waltz with Bashir, & Exodus, viewed as biased & racist. Black & Arab culture, disenfranchised, used, exploited, hung & dried.

A more accurate depiction of reality in the Middle East in Palestinian film Paradise Now.

Another, more realistic representation of the ME in a scene from Syriana, which features George Clooney & Matt Damon.

How Hollywood & all of western media distorts reality through film & other mediums of mass mainstream expression.

This rather, light film depicts the similarities, and differences, between the Arab & Israeli people. But recognition of Israel implies two things: treachery to the Arab cause; abandoning the human rights of the Palestinian nation.

Is it unfair for the international community to suggest that the Jews are fine without a state called Israel? The difference between the need for an Armenian state, for example, versus a Jewish one, is that the former is completely ethnic-based while the latter is a hybrid of religion, culture and language. This makes it difficult to place importance on the need for a Jewish state while ignoring Palestinian self-determination.

Individuals like Helen Thomas get blacklisted for making comments such as those in the video below:

If there is a moral arc of the universe, it bends in favor of the Westerner & the lighter-skinned.

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On Democratic Socialism & Hip-Hop’s Place in America Today


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Recent tension between hip-hop artists Azealia Banks and Iggy Azalea inspired me to address the issue, and how the undertones resonate loudly in America, with associations to systems of cultural repression such as racism, jim crow, the prison-industrial complex, corporate hoarding and finally US foreign policy; and ultimately how all of these issues are in actuality the products of one giant injustice; institutionalized discrimination.

Liberty and individualism are often associated with the American conservative model of capitalism but in reality this model more closely resembles theocratic-nepotism. True free markets, competition and prosperity are more closely associated with genuine democracy and social redistribution of resources in order to correct historical injustices and imbalances as well as to assure that the basic needs of individuals are met as they seek to establish a method for sustenance by relying on themselves.

The reality is that America’s brand of capitalism, especially as it has unfolded in the twentieth and twenty-first centuries, is less capitalism-based and more authoritarian; more Randian, if anything.

The system which disenfranchised African-Americans is responsible for propping up images like Iggy. That system I refer to is a cult-like religion of people who believe in a disney-esque fairy tale-like America where innocence remains and hypocrisy is rampant.

That’s the point. Racism guised. Zionism hidden. Anarcho-capitalism fully realized.

The selling of a false American Dream which is essentially conformity to a culture of bigotry.

The brainwashing of American children into following the Biebers and Iggys so as to suppress independent thinking.

And the questioning of US decency.

American is the crown jewel of self-idolatry and pseudo-freedom. It is the center-piece of vanity and pretentious ownership of earth.

You don’t have to preach to us about the doctrine of competition of free market that isn’t our problem.

We compete all day the problem is your false portrayal of reality and the hoarding of earths resources under the banner of Americanism.

The world is victim so a false sense of entitlement to consumer culture.

This will end.