Putting together this album has been a journey. Let it be known that we, Colours of the Culture, have been doing this shit since we were 14. All this time has passed, and yet, this is my first project to date.
This isn’t just an album. This is a story.
This is about a struggle, a search for meaning in a world diluted with hate & hollowness.
But through our art, our inner most self-expression, we can breathe life into our souls again.
Please take time to listen, enjoy, support & share this album with your friends, family & music fans. I assure you, you will not be disappointed.
I do this for the culture. I do this for hip-hop.
Since emigrating from the Middle East, my family & I have just managed to get our footing in this new soil of America.
We are immigrants. This album, is essentially an immigrant’s manifesto, a story about the trials of the minority class, the disenfranchised; people of all backgrounds who, for whatever reason, felt the biggest brunt of institutionalzied social injustice. But this is also a story about the struggle of my people, the Armenian nation, which struggled to escape colonial onslaught in the 20th century, a crime still largely unheard, which claimed the lives of 1.5 million Armenians. Apparently we haven’t reached the benchmark for being labeled a holocaust yet.
This album is for my home country, my refuge, my being…Syria. This is for Palestine, beautiful Palestine, still, resilient after all these years.
This is for resistance. This is for ferguson. This is for Trayvon Martin. This is for Hrant Dink. This is for Serena Shim. This is for Rachel Corrie. This is for Malcolm X. This is for Deah Barakat, Yusor Abu-Salha, & Razan Abu-Salha.
This is for FREEDOM.
May we all find peace & happiness.
I leave you with this:
Abandon your worries. Trust in the universe. Believe in your passions. March forth. March 3rd, actually. YALLA!
#ColoursoftheCulture #Palestine #Syria #Armenia #PoliticalScience #Struggle #Music #Art #ThanksJoey #Justice #Islam #Moderate #Peace #Assad #Iran #Netanyahu #Russia #Brazil #Culture #JavottiMedia #FLOSSremix #FLOSS #GoodBlood #Production #Engineering #Rap #Poetry #Writing #DannyKrikorian #KRIKOS #Brutus
I’ll never forget the day this album dropped. I was in another dimension. I was inspired.
This album performed well. Its critics are caught in a web of infinite skepticism.
I bought this album and Yeezus on the same day. I believe these are probably the two greatest artists of our time. If you pay attention, I have been influenced by them in all of my work.
The political undertones in this work, like all of Jay-Z’s works, are omnipresent. The cover itself, inspired by greco-roman mythology, the inner-booklet, as well as the content, from beginning to end, captures the stark reality of an American hustler. The whole time I felt I was watching a Spike Lee movie.
Jay-Z is hated for his business approach. I think he is an artistic genius. His genius is beyond the minds of his critics, be they musicians or not. He addresses conspiracy theorists in a line from “Heaven”:
Conspiracy theorists screaming illuminati,
They can’t believe this much skill is in a human body,
6’2, how the fuck he fit in a new bugatti,
Aw fuck it you got me,
Question religion question it all,
Question existence until them questions are solved,
Meanwhile this heretic, I be out in Marrakesh,
Morocco, smoking hashish with my fellowship,
Y’all dwell on devil shit, I’m in diablo, yellow-shit,
Color of jello shit, hello bitch,
It’s me again, fresh in my easter clothes feeling like Jesus.
For all the so-called purists & the conspiracy theorists, this is a clear message. Jay-Z isn’t here to make you comfortable. He is here to make a living, express himself & expose what he sees as American hypocrisy. With references to Malcolm, Martin Luther King Jr., Wall Street, Jewish affluence and more, this album in no way falls short of being consistent with the tradition of hip-hop as a conscious movement.
Despite ongoing trends & exploitations of the culture, for the most part, there remains a largely alive movement of conscious listeners and artists who remain true to the craft and the messages upon which it was built.
It cannot be understated the impact which 200 years of slavery has had on the African-American culture. This recent interview with Azealia Banks on Hot 97 really captures the emotions of the African-American community. Whether or not you agree with her views or self-expression, I do believe it is important for Americans especially, to hear this perspective. It is true, that Abraham Lincoln emancipated the slaves in the 19th century. But that was the end of a tactic; not of a system. The system which we would like to believe no longer exists today is strong and more alive than ever. Words alone, especially my own, cannot do justice.
Today, hip-hop is saturated with a blend of either ultra-conscious underground or ultra-materialistic mainstream. The medium is there, if you look for it. The majority, which represents the American population, remains held hostage to either the purists within the underground community or the bigots who have largely extended their grasp over the popular media-mainstream, exponentially since the deaths of major hip-hop icons Notorious B.I.G. & Tupac.
I am all for new music & innovation. But I tend not to look for it from many of the artists who the mass-media spoon-feeds us on the daily. I like sticking to my real hip-hop.
Oh how God is good,
Great, and so clever,
That He would take me on a trip,
From here to november.
On a plane to new york city,
a place I remember,
Full of life, colors and fun,
Soon we’ll be together.