We Made It in America: The Political Undertones of Pop-Culture & Hip-Hop [continued…]


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In Part I of his interview with BBC broadcasted in 2009, prominent rapper & social icon Jay-Z expressed his views on many contentious issues gripping the politics of America & the international community today.

The photograph above is very significant to this blog entry. It is a picture of Kanye West & Jay-Z during their Watch The Throne tour throughout the US. The title of this blog, is the title of quite a meaningful song on the album: “We Made It in America”. The song laments on the grievances & legacies of the African-American people, as well as the African culture from which they were essentially kidnapped; & which continues be exploited today.

This is Part II of the interview, continued:

The song is inspiring. The message too. Not only does it expose the crimes of the US against its own people, it expresses the genius of the African people, in the realms of art, music & culture. Watch The Throne, was a political masterpiece. A magnum opus. All the words fit. I felt like I was LISTENING to Plato’s The Republic. It’s the soundtrack, if indeed The Republic were a movie.

Essentially the political undertones of Watch The Throne are echoing the socio-economic grievances of all disenfranchised, marginalized, gentrified & exploited minorities. The twisted sense of “individualism” in the Western culture justified the historic atrocity of the trans-atlantic slave-trade, which exists today in a more elusive form, such as police brutality, gentrification, disenfranchisement, mass incarceration, income inequality & unequal opportunities for minorities.

These grievances are echoed by intellectuals of the 19th & 20th century, mostly non-American. I’ve listed a few examples below.

George Orwell, famed writer of 1984 & Animal Farm, was a “democratic-socialist” who warned against capitalism & communism, arguing the two led to statism.

Albert Camus, an anarchist, was sympathetic to communism but stressed that collective apparatuses might lead to corruption and statism.

Any Rand, hailed by Conservatives, defines the epitome of the hypocritical dogma of anarchical-capitalism. A self-proclaimed anarchist, Rand proved she was not loyal to her own creed, as she relied thoroughly on state welfare & sponsorship from the state of Israel, inconsistent with her atheism as well as her free-market fundamentalism.

All these perspectives force the following questions to float around in my head:

Is socialism another power-grabber?

It seems like the US & Europe despise socialist entities.

Are we the devil or are they?

Who’s killing who?

While most fight for freedom for some, who fights for freedom for all?

So what is the evil? It seems that hyper-individualism mirrors the tyranny of hyper-collectivism, both of which result in the exploitation of minority classes.

Prominent African-American scholar Cornel West associates the suppression of Civil Rights with statism as well as capitalism. He argues that America is not a democracy, because it serves an elite class at the expense of the will of the people. Furthermore, West suggests that capitalism results in many of the imbalances in the economy that cause misery for the lower classes.

I would argue, like 20th century German economist Fredrick List, that every successful nation-state adopts mixed economics combining state intervention with free market flow, which suggests that democracy & capitalism alone cannot guarantee the protection of individual rights. In many ways, democracy has engrained & perpetuated the tradition of exclusivity in the West which deems minorities, including blacks, latinos, arabs, gays, muslims & atheists are second class citizens, with little access to mobility in the economic ladder.

Freedom, salvation & happiness are not products of capitalism, materialism or the intellectual dogma of hyper-collectivism.

Rather, these virtues are achieved through humility, hard-work & self-reliance and the rest follows. Meanwhile, the power-hungry aim to deprive man of these freedoms, through propaganda & excessive force. How well do democracy & capitalism alone ensure these virtues? Historically, they’ve done as much as communism to improve the living conditions of the lower classes.

In his recent acceptance speech at the BET Honors ceremony, Kanye West took time to reflect on issues that form the bedrock of the Hip-Hop culture. Here is a snippet:

Fundamentalists, be they religious or atheistic in essence wholly worship man-made ideologies that eventually collapse on themselves, such as the neoconservative model of hyper-capitalism exhibited by NATO countries or the police-like communism of the USSR.

The association between the American & European traditions of suppressing & exploiting foreign countries is based in their logic of exclusivity. That is why 1% of Americans own America, while the vast majority remains living check-to-check. That is why, while the institution of slavery ended some time ago, the US remains at the top of the list for highest incarceration rates in the world, with the highest prisoner count than any other in the world. Yet, Iran is the great satan. Syria is the great satan. Venezuela. We go to war for oil & that oil never trickles down to the poor. In fact, it is usually the taxpayer funding all of this, against his will for the most part.

It is times likes these when I begin to question the logic of ‘democracy.’ There isn’t even 1 single definition of democracy. It is a vague term that is thrown around. Most people think it means representative government. Some think it means majority wins. Others believe it means universal law. I would say one of the distinctive features are the electoral process & term limitations. Democracy, especially by the Right-Wing, is viewed as the protector & guaranteer of capitalism & free market competition. But in reality, it seems, like communism, only to concentrate wealth in the hands of an already established elite so as to convince the masses they are free, to sustain them for lack of self-sustenance & to thereby garner their support for all political/colonial initiatives. The free-market is not protected by democracy or capitalism, but rather, just as in communism, becomes held hostage to the ignorance of mass-minded forces of collectivism. The freedoms awarded to the elite are limited to the mass because of a fear of intimidation & competition. A lot of propaganda is aimed at trying to convince us (both capitalism & communism do this) that earth’s resources are scarce & need proper redistribution.

But “exclusivity is the new N word,” said the courageous Kanye West during his most latest interview with Zane Lowe, in reference to the culture of hubris & bigotry that has disenfranchised all minorities & expressionists from the conversation of social justice.

LINK HERE: http://www.bbc.co.uk/radio/player/bbc_radio_one#

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P.L.O. Style – [Political Undertones in Pop-Culture continued…]


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Hip-Hop is always vilified. Guns, crime, jewelry, flamboyance, extreme rhetoric, vulgarity.

Malcolm X once said that governments often oppress people and then chastise them when they express their discontent or attempt a revolution.

It is always easy to rationalize hate of the oppressed, especially for the privileged classes who don’t understand what it means to have nothing, to be hated, and to have their voice suppressed.

The culture of the caucasian community likes to apply harsh & strict values on society, meanwhile, their societal representatives are often caught in scandals in which they are indulging in hypocritical activities.

These ‘strict values’ emanate from a sort of, Disney-esque fairy tale conceptualization of reality, in which man is an innocent child being ‘corrupted’ by cultures like hip-hop. Now don’t get me wrong, I love the Lion King. My point is not to criticize Disney, but on the contrary, the misconstruing of such fairy-tale enterprises which often establish, engrain & enforce social constructs.

The irony is that the reality is quite the opposite.

Hip-Hop was born out of the corruption of social representatives, from politics to big business. Drawing influence from the ideologies of fanaticism, white supremacy & the Jim Crow culture became a form of institutionalized disenfranchisement which perpetuates almost permanently a state of destitute poverty.

Meanwhile the “white man”, the “Donald Sterlings” of America do whatever it takes behind closed doors to secure their fortunes, which are ironically usually made off the backs of non-whites.

The system of disenfranchisement and racism in America is closely linked to its view of the rest of the world. The late Edward Said, a prominent Palestinian intellectual, labeled this self-righteous dogma of the ‘white man’ as Orientalism, which he argued, revealed a long-standing tradition of Western Civilization’s oversimplification of Eastern (or non-Western) culture.  its tools of invasion and oppression abroad, from the Middle East, to Africa, to South America, to the Far East. This ideological bigotry formed much of the cultural foundations of the Occident, or the West, which was essentially used as a justification of the enslavement and exploitation of the Orient. It was responsible for the trans-atlantic slave trade, and the modern system of disenfranchisement of African-Americans in the US.

That is why perhaps the majority of the anti-supremacist collective uprisings which arose in the 19th and 20th centuries occurred in South America, Asia, the Middle East & Africa. And all the while the propaganda and military systems have been at work in the West. Fox News is our Joseph Goebbels, the Nazi’s propaganda artist.

In their collaborative album, Distant Relatives, legendary MC Nas & Reggae godson Damien Marley express these grievances thoroughly. The following is one of the tracks off the album, “Road to Zion”, with undertones that capture the the trials of modern man, the modern Black man, in a turbulent world.

Let it also be known that just like any genre of music or medium of art can be exploited for the sake of political interests, so too can hip-hop. Since the deaths of giants B.I.G. & Pac, hip-hop’s mainstream has been left largely devoid of even the most remote references to oppression & black consciousness. Among the leaders of movement in today’s America are Kanye West & Jay-Z, whose albums never fall short of addressing personal & social grievances.

As an Arab-American, I would like to express that the modern struggle for freedom is shared by most minorities. I once heard a prominent figure within the African-American community suggest, “the Muslim is the new (black man)”. With Islamophobia and anti-Arab sentiment at its peak, not to mention the deprivation of the Palestinians at its worst condition, it is more than necessary for me to underline the importance of the role played by the cultures of the Middle East in contributing to hip-hop & the initiative for genuine art & freedom. Thanks to OkayPlayer, I came across Here is a track by another legendary MC, none other than Method Man of the Wu, titled P.L.O. Style, which surfaced at a time when the Palestinian-Israeli Conflict reached heights of unprecedented contention.

Rise of the Eastern Son (Official Album Cover Art)


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Rise of the Eastern Son. 1.20.15.

Prod. @krikos88 mixed @thanksjoey.

We are @ColoursoftheCulture.

Peep the first single, #ChineseDelegation here: http://bit.ly/1zIPqhW (link also in bio)

#RiseoftheEasternSon #ColoursoftheCulture #KRIKOS #ThanksJoey#NIKOIS #HipHop #Palestine #Immigration #America #Syria #Armenia